Interview: Alison Lock on motherhood and creativity

I am delighted to be able to post yet another wonderful interview on the Mother’s Milk Books blog – this time from poet Alison Lock whose beautiful poem ‘On the Carpet’ – which featured in Musings on Mothering – really struck a chord with me. Thank you again, Alison, for taking part!

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Alison Lock is a writer of poetry and short stories and a facilitator of Life Writing courses. She is also the mother of four sons and has always been interested in the ways that creativity can support and nurture the time spent together during the early days of parenthood. Her first collection of poetry, A Slither of Air, was published in 2011 and her collection of short stories, Above the Parapet, was published in 2013 by Indigo Dreams Publishing.

1. Have you always considered yourself to be a creative person?

I think everyone is creative but it comes out in different ways. For me, I have always been involved in some creative activity, whether it be playing music, sewing, felt-making, or writing poetry and short stories. When the children were young I liked to go on walks with them and gather leaves, twigs, stones; anything for making collages etc. I never really thought of it as being creative, it was just what we did. Now I believe that even if there is no visible output we cannot help ourselves but be creative – it might be simply that we bring our creative side to how we read a bedtime story, the expressions we use, the way we draw on our own experiences in the telling of a story. I am particularly drawn to the imaginative, the eclectic, the irregular things in life.

2. Has motherhood enhanced your creativity? If yes, in what way and why do you think it has enhanced your creativity?

I have been a mother for longer than I have not — with 18 years between my youngest and my eldest — and, of course, once embarked on, motherhood never ends, so it is difficult to imagine what I would be doing if parenting had not been my primary role. Creativity has been a necessary part of this process and has seen me through some difficult times. These days I write and although my writing is not overtly therapeutic I can see that elements of my life are reflected there. It is inevitable that we draw on our own life experiences, if only subconsciously; sometimes they form the mere shadow of a story.

3. Do you have any tips on how to find time for your creative work amongst the everyday busyness?

Nowadays, I am very focused on my writing and once the school day has started I retreat to my office. I know that if I begin my day with housework, my opportunity will slip away. I admire those people who are more organized than I am but it is not the way I work. I am ashamed to admit that I do not even write lists.

4. What does breastfeeding mean to you?

When I was pregnant with my first child, I read Penny Stanway’s Breast is Best — a bible for the positive effects of breastfeeding in its time. I wanted to give my child all the benefits that are associated with breastfeeding but unfortunately things did not go to plan (although my subsequent babies were successfully breast fed) and I was left feeling guilty. I still do believe that breast is best but I am aware that things do not always go to plan and that it is important to be supportive to all mothers whatever their choice.

5. Were there any pieces in Musings on Mothering that spoke to you particularly?

Musing on Mothering is a beautiful book. It shares everything about being a mother (and a father too) expressed through prose and poetry, photography and artwork. It is about the joys and the sorrows too. It is about uniqueness and similarities and it is about sharing and communicating and reaching out to mothers at moments when mothering can seem a lonely and a thankless task. There is so much richness, so much experience and generosity gone into this book and I believe that all new parents will find nourishment there to help them through the darkest nights.

6. Are you working on any particular project right now?

I am putting together another poetry collection, I am rehearsing a long poem to be performed with a musician, I am writing a novel for young adults, and I am also in the process of writing some new short stories. I know, it sounds impossible, but I like to have too much to do!

7. Is there any one piece of work that you are particularly proud of?

I think that has to be my first collection of poetry, A Slither of Air. Like most first books, whether they are novels or collections of poetry, they often come about as a kind of build up of experiences and a tipping out of words and thoughts and ideas. I was so delighted to be offered the chance to have my work published and it opened the door to so much more.

8. Is there any one person (or persons) that you consider to be a true inspiration to you?

Although there are inevitably some, whether artists or not, who have influenced my life, I cannot pick out one and say that they are my inspiration. There are too many people to be admired, many who do good works in all walks of life.

9. Is there any one piece of art or music, or writing that has influenced you, or inspired you to continue creating?

I sometimes find that listening to music or visiting an art gallery will trigger new ideas, often they are the unexpected things, or the unplanned visit. I visit the Yorkshire Sculpture Park when I get a chance too. I find the outdoors is the best place to think. At home I listen to my collection of old vinyl records.

10. What would you to say to someone who doesn’t consider themselves a creative person, but would like to try their hand at something new?

As I said before, I believe we are all creative, but it is finding the source and the channel that suits us best. There are many arts and crafts to try out and I would say – indulge yourself, don’t be afraid to try something new; give yourself the opportunity to explore your creative side and you never know where it might lead…

Writing Prize, books and submissions

Thank you again to all those who entered the inaugural Mother’s Milk Books Writing Prize. It’s been great to collect (and have a sneaky read!) of all the great entries, and I’m probably just as keen as the entrants to hear who the winners will be! We will have to wait patiently though as the judges, Angela Topping and Susan Last read and read and read… and then make their final decisions. I’m certainly looking forward to it.

As well as receiving a cash prize and a year’s worth of Juno magazines, the winner of the poetry competition will receive a limited edition hand bound hardback of Letting Go by Angela Topping. This book has been hand bound with such care and attention to detail – it is simply beautiful – and I’m sure the winner will appreciate the beauty of the words within and the beauty of the book craft too.

If you’re not sure about your chances of winning (!) or perhaps didn’t get around to entering the writing prize this year there is another way to get hold of this lovely book… We now have 2 copies for sale in The Mother’s Milk Bookshop, so if you’re looking ahead to Mothers’ Day and want a special something this could well be it! (With the JANSALE code you can also get 20% off your entire basket too.) The sale ends 31st January though, so if you’d like to stock up on breastfeeding-friendly books, mothering/new baby or general greetings cards, or art/poetry prints now is a great time. (Susan Last’s book Breastfeeding: Stories to inspire and inform is also available in the store. The prose winner will get a signed copy of this fab book, but again, if you’re not too sure that’s going to be you, you can get hold of a copy here!)

Thank you again for all your support and if you’re just as keen as me to find out who the winners will be, WATCH THIS SPACE!

p.s. we are also now open for submissions, so do check out our guidelines if you think your writing may well suit our publishing interests.

Happy 2014! and The Latest News

Our big news so far is that there are only 4 days to go until the Writing Prize comes to a close. We’ve received some great poetry and prose submissions so far but would always appreciate more! We also really need more contributions from children; this category is free to enter and any amount of lines on the theme of parenting (silly, funny, serious or sweet!) would be very welcome.

We also have our January sale now on, which means that you can get 20% off your shopping basket when you use the code JANSALE at The Mother’s Milk Bookshop (a good chance perhaps to get some early Mothers’ Day gifts in?).

We’re also now open to submissions, hooray! If you’re interested in submitting your work please do read the submissions guidelines carefully and email me if you have any queries.

Thank you so much for all the support and encouragement you’ve given me over the past year, and I wish you all a very healthy and happy 2014, with a good dollop of soul-enriching creativity thrown in!

Best wishes from Teika x

Interview: Susan Last on motherhood and creativity

I am really excited about this latest guest post because Susan Last, my guest, is a publisher herself and so we share a very similar passion for books, excellent writing, breastfeeding and creativity. I can also add that Susan is a generous host who can rustle up a great lunch at a moment’s notice! Many thanks to Susan for taking part, and I hope it inspires more creative folk to get submitting their prose to the Mother’s Milk Books Writing Prize (only 18 full days left to go now!).

Tell us about yourself…

I’ve loved books all my life; as a child I was a voracious reader and as an adult I now read for both work and pleasure (luckily for me, the two often intersect). I graduated in Modern Languages and my first job was as a trainee editor for a history publisher in Gloucestershire. I then spent nearly 10 years at Breedon Books (later DB Publishing) in Derby working on history, sport and biography books, as an editor, commissioning editor, managing editor… Since my third child was born in 2010 I’ve been partly a freelance editor, working mainly for Pen and Sword Books and Pinter and Martin, and partly a director of Lonely Scribe, a tiny independent publishing company that I founded with a colleague.

1. Have you always considered yourself to be a creative person?

No. It took me a long time to realise that the creative work on a book doesn’t begin and end with the author; the editors, designers, proofreaders and everyone involved in the process of publishing all bring their own creative talents to the table. I now understand the value, and the skill, in good editing, from visualising the book in its very early stages, to having a hand in the final details of the finished product.

Away from books I like to knit, sew, crochet, cook – I don’t consider myself an expert or even particularly creative or original in any of these pursuits, but I have always enjoyed them for their own sake.

2. Has motherhood enhanced your creativity? If yes, in what way and why do you think it has enhanced your creativity?

Yes – interests I only developed once I’d had children (breastfeeding chief among them!) have led me down all sorts of interesting pathways in my publishing work. The work I do for Pinter and Martin on their wonderful birth and breastfeeding titles is some of the most satisfying I’ve done in my career to date, and of course I love being at the helm of Lonely Scribe, although as any small business owner will tell you it brings its own challenges!

3. Do you have any tips on how to find time for your creative work amongst the everyday busyness?

For me the answer has been some childcare during the week – I found it almost impossible to find enough time during the day to work when my babies were tiny, and come the evening I was too tired! Now my youngest is three and has regular playschool sessions (my older two are at school) it is so much easier, although school holidays can be tricky! I do find myself squeezing work in to weekends and evenings, and I’m lucky enough to have a husband who doesn’t work long hours so he can take over at home if I have things to finish. I do find that restricted time can be almost a blessing: I am a natural procrastinator and work better under a bit of pressure. (Case in point: I am answering these questions hurriedly before dashing off to my daughter’s playschool Christmas party…)

4. What does breastfeeding mean to you?

I breastfed my children for 11 months, 18 months and 2.5 years respectively; I never imagined before I had children what an important part of my life it would become. I’ve written about my very mixed feelings about my youngest child weaning herself on my blog! I struggled to feed my first baby and that difficult experience is what led me to become a breastfeeding peer supporter, to edit my book Breastfeeding: Stories to inspire and inform, and to develop my interest in breastfeeding generally, which has been genuinely life-changing and has led to all sorts of opportunities. So it’s been tremendously important on every level.

5. Were there any pieces in Musings on Mothering that spoke to you particularly?

I absolutely loved the entire book – when I first saw it I wished I’d published it! It’s a beautiful book and I come back to it often. I remember smiling very wryly at ‘The Cold Cup of Tea’ by Marija Smits – I lost count of how many times I sat on the sofa breastfeeding watching my cup of tea go cold on the mantelpiece, and can even remember sobbing into my husband’s shoulder, after one particularly trying day at home with small children, that I hadn’t even had a hot cup of tea all day! It’s an enduring image of parenthood for me.

6. Are you working on any particular project right now?

Yes, I’m editing a book about supporting parents in the postnatal period, written by a postnatal doula, for Pinter and Martin, and in a totally bizarre juxtaposition I’m also editing a True Crime book for Pen and Sword about John Haigh, the Acid Bath Murderer. I love the variety in my work even if some of the subjects are not my main areas of interest! For Lonely Scribe I’m waiting with bated breath for Milli Hill to deliver her Water Birth book, which will be published in 2014.

7. Is there any one piece of work that you are particularly proud of?

It was immensely personally satisfying to publish my own book. But over the years I’ve been lucky enough to work on many projects that I’ve been proud of for different reasons. Lonely Scribe now publishes The Heart is Highland, by Maisie Steven, which was the first book I edited at Breedon Publishing back in 2000. I’m very proud that it is still in print, and that I am still involved with it, as it’s a real gem.

8. Is there any one person (or persons) that you consider to be a true inspiration to you?

Ina May Gaskin and Gabrielle Palmer spring to mind. Their work has had a big influence on me in recent years.

9. Is there any one piece of art or music, or writing that has influenced you, or inspired you to continue creating?

I met the artist Mary Fedden when I was a student through her association with Trevelyan College in Durham; my favourite painting of hers, of a cat on a rocking chair on a Pennsylvania porch, hangs there. I have a postcard of it, and I often look at it and think of her, her paintings and her studio… she was very inspiring and so productive, even in old age, that thinking of her often galvanises me into action!

10. What would you say to someone who doesn’t consider themselves a creative person, but would like to try their hand at something new?

Just give it a go! You might surprise yourself. Some of the best books I’ve worked on have been written by people who never thought they’d be authors, but who found that when the right subject came along, the words just came pouring out.

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Susan’s book Breastfeeding: Stories to inspire and inform is also available to buy from The Mother’s Milk Bookshop – and when purchased through the online store it gains the buyer one entry to the Mother’s Milk Books Writing Prize, in which Susan Last is the judge of the prose category. What better way to find out what kind of prose she likes!

And the winner is…

Drumroll please!

The winner of our latest giveaway is: Circus Queen.

This lovely mama will receive the e-version of Letting Go by Angela Topping, a signed poetry print of her choice (fingers-crossed it’ll be in time for Christmas!) and a free entry to the Mother’s Milk Books Writing Prize.

Many thanks to those of you who entered in what is, of course, an incredibly busy time of the year and as I’m in the festive spirit I’d like to offer those who entered a ‘consolation’ prize of the e-version of Letting Go. I hope you enjoy it and if it inspires you to create your own poetry I’ll be very happy indeed! Just email me on: teika [at] mothersmilkbooks.com to get your free copy.

Best wishes one and all!

Letting Go – another giveaway!

This giveaway is now closed. Many thanks for your interest.

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To celebrate the fact that Angela Topping’s book Letting Go is now available to buy as an e-book (PDF) in The Mother’s Milk Bookshop we’re doing a giveaway!

The winner (to be picked out of a hat by my lovely assistant, Rebecca, aged 6) will receive the e-book and a signed mounted print of one of Angela’s poems – either ‘Ultrasound’ or ‘Letting Go’ which both feature in this, her seventh, solo collection of poetry. The winner will also receive one free entry to The Mother’s Milk Books Writing Prize. I’m delighted to be able to share both poems here.

Ultrasound

We were spies on her world –
her safe house of skin. She
was etched in silver: moving, human.

She swam in a booming cave,
fathoms down. Heavy rope mooring her.
Round face, round eyes, ooh of mouth.

Gingerbread baby, currant eyes.
At home, I twist wool around needles,
craft garments, every stitch a wish.

ANGELA TOPPING

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Letting Go


First you hold them like a secret
you only suspect is true.
Then soft knockings from within
tap out messages for you.
Slowly the body allows escape,
you hold them in your arms,
dazed and milky, full of love,
pledged to defend from harm.
Then you hold them to your heart
and put them to the breast.
But they learn to walk away
like any other guest.

ANGELA TOPPING

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How to enter:

To enter the giveaway all you have to do is comment on this post (nice and simple!) before 18th December. Perhaps you could tell us what ‘letting go’ means to you (in regard to any parenting topics).

Terms and conditions:

This competition is open to all.

The competition will close on Wednesday 18th December 2013 at 12.00 noon, GMT.

All correct entries received by this date will be entered into a prize draw and the winner will be chosen randomly.

The winner will be notified on this blog and be emailed within 24 hours with their e-book attached. As long as the winner is prompt to reply with their address details the print should arrive in time for Christmas (if resident in the U.K.).

The winning entry will receive the prize as stated on the blog post. There is no cash alternative, no returns or refunds. A frame for the print is not included as part of the prize.

Interview: Alex Florschutz on motherhood and creativity

The next of our ‘motherhood and creativity’ guest posts comes from Alex Florschutz, an artist and mother whose inspiring art is making its way into more and more women’s lives… I was honoured to be able to publish some of Alex’s images in Musings on Mothering and am very interested to hear that she is now an author. Thank you very much Alex for taking part.

Tell us about yourself…

My name is Alex and I am a mother, artist, author and art therapist. All my work celebrates the liberation of the Feminine whether through my paintings which act as symbols of empowerment, to my new book The Art of Birth: Empower Yourself for Conception, Pregnancy and Birth (published by Engage Press), that is revolutionising the world of birth and finally my work with clients where I support them to discover Pleasure in their lives through their creativity and other juicy techniques.

Photo courtesy Alex Florschutz

1. Have you always considered yourself to be a creative person?

YESSS! Ever since the age of two and a half I would come home from nursery and would not be able to rest until I’d drawn at least 10 pictures (according to my mother)! For me, being creative is as important as breathing!

2. Has motherhood enhanced your creativity? If yes, in what way and why do you think it has enhanced your creativity?

Since my son was born in 2000 I have painted (and most of my life. I know creativity can take many forms but mine is primarily painting but I do all sorts!). I became a single mother when he was nine months old and I marked that painful transition with a large exhibition thanks to two amazing women who ran a very successful café gallery… they gave me the whole place! Painting has kept me sane, grounded, balanced, self-soothed, happy and pleasured as it’s a non intellectual process and has charted my own personal development. I could not live without it and feel bereft if I don’t paint.

Motherhood has enhanced my creativity because I used art to heal my fears and create a natural, pain free home birth. My birth was my ultimate creative experience and since then doing my art has become a necessity not a whim. I love unleashing my creative juices on a canvas and I believe it makes me a better mother!

3. Do you have any tips on how to find time for your creative work amongst the everyday busyness?

Love yourself enough to know that YOU MATTER! Women find it hard often to make time for themselves and the ‘busy’ story is often a useful defense or excuse. I know it’s hard, especially if you have several children and work BUT there is always a way, e.g. make time once a week/month where your partner, a friend (perhaps a babysitter?) looks after your children while you have ‘mummy time’ where you can experiment with art/craft. My book has lots of interesting exercises in it. You may want to try a craft that you could do in the evenings. One great way of being creative with your children is to either do art with them OR have a nature table. A nature table is basically a designated place in your house (I have mine in the kitchen on top of a chest of drawers). I put a coloured cloth on it and decorate it with things I find in nature which you can collect with your child(ren), like coloured leaves, nuts, conkers, feathers, flowers, shells etc. I do, however, also buy little things from a local craft shop like little candles, crystals, gnomes, fairies or relevant seasonal objects. It is lovely to collect objects from the natural world which also shows your child about the changing seasons, helps them feel included, is fun and interactive and nourishes their soul at the same time. Even my teenager secretly likes it!

4. What does breastfeeding mean to you?

Breastfeeding gives life to your child and sets them up for a healthier life! There are numerous benefits. I think women need all the support and encouragement necessary to breastfeed; dangerous adverts on TV about formula don’t help. If you cannot breastfeed for whatever reason, then do not feel bad… I was lucky to breastfeed for two years and I did it anywhere and it was tough if people didn’t like it! My baby got fed as he requested it. Try and reduce stress and anxiety as much as possible as this can help.

5. Were there any pieces in Musings on Mothering that spoke to you particularly?

In particular, the poem ‘Farewell to my baby’ by Jessica Starr really moved me and made me sob every time I read it. I feel the grief of all the mothers who have lost their baby too soon, the souls that only came to visit the earthly realm for a short while. My heart fills with compassion and love. The whole book is beautiful and inspiring though!

6. Are you working on any particular project right now? I recently launched my book The Art of Birth which is already getting good feedback, and I am currently creating an online program based on the book which will be launched in time for Christmas. I worked on two art shows in London recently (just now finished)! Oh… and being a stay-at-home mummy!

7. Is there any one piece of work that you are particularly proud of?

The Art of Birth book is probably my next biggest project after giving birth! I am very proud of this book and my deep intention is that it serves the world and creates positive change where birth is concerned.

8. Is there any one person (or persons) that you consider to be a true inspiration to you?

Louise L. Hay, Binnie A. Dansby, Clarissa Pinkola Estes, Pat Bennaceur, Karel Ironside amongst others.

9. Is there any one piece of art or music, or writing that has influenced you, or inspired you to continue creating?

Artist Susan Seddon Boulet and ambient music Bali Midori spring to mind.

10. What would you to say to someone who doesn’t consider themselves a creative person, but would like to try their hand at something new?

Most people will be scared of beginning because they will think they are ‘not good enough’ at art/being creative. I believe EVERYONE is creative. Most people gave up art (which includes being ‘creative’) at school thinking they were ‘not good at art’. This shut down their natural abilities. Really young children NEVER have any trouble drawing/painting/being creative. We can recapture this if we refrain from self-judgement. It can help to do a warm-up exercise, such as what I call the Daily Doodle, or buy an easy to use art-for-fun book and follow the exercises (or get my book…teehee). If you view it as ‘experimenting for fun’ then this can take the pressure off the ‘performance’ side of doing art or the anxiety and preoccupation with a worthwhile ‘finished product/object’. Buying a journal and doing freeform writing is a great way to express one’s feelings and this can lead onto poetry or even a book! In the journal you can always start doodling with a pen or pencil and start small and work up to more arty messy stuff. This method can be easily accessible in a busy day if you carry it around with you or keep it handy in the house. Alternatively you can buy some poster paints, cheap paint brushes and a roll of cheap paper from IKEA or even plain wallpaper paper. Then, send everyone out of the house for a couple of hours and if you desire, put on your favourite music, light some incense, light a candle, get naked or whatever makes you feel good! Then, once you have a large piece of paper fixed down to a table with tape, or if you have a wooden floor, squirt different coloured paints onto the paper liberally and paint shapes, blobs, images, feelings, whatever comes out is RIGHT! You can even paint with your hands… you’re never too old or sensible to do that! GO FOR IT and HAVE FUN!!!

When they’re gone, they’re gone!

Back at the start of the year, Barb Sheppard, a long-term LLL Leader and supporter, hand bound a copy of Musings on Mothering (with accompanying handmade box) to auction off through ebay for the charity La Leche League GB. It raised over £70 for the charity – 100% of the proceeds from the sale going directly to LLLGB – with various interested parties making a bid for it at the last minute!

I had a few spare copies of Musings left in loose-leaf form after the original litho print run, so I thought it would be lovely to get them hand bound and offered for sale via our store The Mother’s Milk Bookshop – particularly for those who were interested in the auction. Barb kindly agreed to putting in the necessary work, so here they now are! We did have 7 but one has been snapped up already… I hate to say it, but when they’re gone, they’re gone! There are no loose-leaf sheets left and no plans on any more print runs so that’ll be it… a true limited edition. 🙂

If you’d like any more details about the book which has an RRP of £35 feel free to email me on: teika [at] mothersmilkbooks.com

And if you’re interested in doing some Christmas shopping over at our store, please do use the discount code PARENTING to get a further 15% off the price of your basket (valid until the end of November).

Thank you for your continued support, and happy shopping!

An Interview with Angela Topping

I am delighted to be able to publish this interview with Angela Topping here. It has been an honour to work with Angela on Letting Go. I’ve learnt a lot in the publishing process and made a new friend as well, which has surely got to be the best way to publish a book! The first readers of Letting Go have told me how moved they have been by the poems within, and also how it is inspiring them to write. High praise indeed! So thank you to everyone who has bought a book and taken the time to comment, and thank you again to Angela for taking part in the interview.

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Tell us about yourself…

I’m Angela Topping. My first poetry collection was published in 1988 by Stride, and my most recent one was published with Mother’s Milk Books. I am a mother of two adult daughters. I studied at Liverpool University and hold three degrees. I left my first job, in the Civil Service, to be a mum, before going into freelance writing, poets in schools and teaching in FE. This work led to a teaching career, but in 2009, I returned to the freelance life, which has proved a good decision. I’ve collaborated with an artist to create an exhibition of art and poetry, The Lightfoot Letters, which has now appeared in three different places. I recently took up a residency at Gladstone’s Library in Hawarden, which was another new challenge.

Photograph courtesy Angela Topping

1. Have you always considered yourself to be a creative person?

Yes, making rhymes up was something I did from being very small. I remember telling people that when I grew up I wanted to be ‘one of those people who said things’ because I’d heard people saying ‘Plato said’ or Shakespeare said’. I didn’t realize it was written down, so I suppose I wanted to be a writer even before I knew what one was. I always loved stories and poems, and colouring in, and I used to spend hours building cities and farms on the living room carpet, with blocks and ornaments, and making up stories. I also knitted and sewed from an early age. It’s an urge to create, and I feel miserable when I am not making stuff.

2. Has motherhood enhanced your creativity? If yes, in what way and why do you think it has enhanced your creativity?

Motherhood definitely enhanced it. I was a stay-at-home mum, and that gave me time to write, even though sometimes I’d be cooking the tea, with a baby in the sling and a notebook in which I had to keep writing poems down, all at the same time. It also gave me the chance to return strongly to my own childhood, reliving it by doing things with my daughters that my parents had done with me. It was like having the chance to go back and really savour it. I loved doing craft and cooking with my girls, and their childhoods got me writing children’s poems as well. To be creative is to play, and I spent many hours playing with my kids. Being a parent also boosted my confidence immensely.

3. Do you have any tips on how to find time for your creative work amongst the everyday busyness?

When I was teaching full time, it was very hard. Often the only writing I did was in the holidays, or in the Writers’ Club sessions I ran, where I’d be interrupted to read someone else’s poem partway through writing mine. It does help that when I teach a poetry workshop session, I often do the exercises myself, though of course one cannot fully concentrate as one eye has to be kept on whether participants need me. Now I am freelance things are easier. I don’t really have a routine as such, but I tend to spend the day in my study and do all my chores when I need a break from writing or reading or thinking. I also make art and handmade books. These other creative outlets can feed into my writing.

So my tips would be:

  • Make use of even 10 spare minutes, and always carry a notebook
  • Use the time when you are doing physical chores or out for a walk, to think. All writers need to think.
  • Have like-minded friends, other writers, to whom you can talk about your work
  • Go to classes and workshops, or if you lead them, do the exercises yourself.
  • Treat yourself to a writer’s retreat or a short course or even a day workshop every now and again.
  • Writing last thing at night or getting up early works for some people.

4. What does breastfeeding mean to you?

I loved it. It gave me closeness to my babies and there was no need for any of the work that goes with bottle feeding. My girls wouldn’t entertain any kind of teat, and they have grown up very secure. With my first baby, it gave me the chance to rest and sit reading with my feet up while she fed, and with my second, a chance to involve the older one with cuddles and a story while the little one fed. It’s a very pleasurable feeling and I sometimes still miss it. I am proud of my body for its capacity to nurture my babies – it’s all so miraculous. It saddens me when people don’t even consider it, when it is free and saves a lot of fuss and work. I was quite determined to feed my babies when I was out and about, and never had any problems unless at the baby clinic or the hospital, amazingly enough.

5. Were there any pieces in Musings on Mothering that spoke to you particularly?

I love all the art work. For poems I prefer the ones which take a sideways way in, like ‘Blackberries’ by Alison Parkes, and ‘Skin’ by Alwyn Marriage. I’ve been lucky enough to never lose a child but that section in the book showed me eloquently how difficult that must be.

6. Are you working on any particular project right now?

I have just published a selection of my poems spanning 25 years for Mother’s Milk Books (Letting Go). I am very excited about this because some of these poems have been out of print for ages. It is my tenth solo poetry publication.

Other than that, I am trying to write new poems towards my next collection. No particular theme has emerged yet so I will wait and see.

I am also trying to finish writing a book about the poet John Clare, which ought to have been out a while ago but the publisher wanted me to augment it further. I always seem to be doing something!

Oh, I am also editing a box set of poems inspired by Shakespeare, Austen and The Brontes for Like This Press.

7. Is there any one piece of work that you are particularly proud of?

I had a very important poetry friend and mentor, Matt Simpson, for many years. In 2009, he died unexpectedly. He was only 73. The elegiac poems I wrote for him came out of my deep sorrow at his loss, and I am proud of them because they are the first poems I’d written without showing him the drafts. I think all 17 of them would stand up to his scrutiny. Six were included in my Salt Modern Voices chapbook and ten in my Rack Press pamphlet. I put them all together to make a sequence with a new coda, and included it in my 2012 Lapwing collection, Paper Patterns. My favourite one is the sonnet ‘Keeping Faith’ .

8. Is there any one person (or persons) that you consider to be a true inspiration to you?

My friend Matt Simpson, mentioned in the last question, was a huge inspiration to me, and I learned a lot from reading other poets, particularly Emily Dickinson, Thomas Hardy and Robert Frost. Closer to home, my parents were massively inspirational and so are my daughters.

9. Is there any one piece of art or music, or writing that has influenced you, or inspired you to continue creating?

I truly love music and art, and dabble a little in both. One of my favourite pieces of music is The Trout Quintet by Schubert. When I was a child, it taught me how to tell a story without words. I love Vaughan Williams’ The Lark Ascending, which was also Matt’s favourite piece. I used it as a motif in the elegiac poems.

10. What would you to say to someone who doesn’t consider themselves a creative person, but would like to try their hand at something new?

I believe everyone is creative. The best advice I can give is to go for it. Be prepared to fail, failure is good. It paves the road to success. Since I took up painting I’ve learned that what one sees in an exhibition are just the pieces that worked. Many more didn’t but the creation of them was a stage on the way. Learn from what works and what doesn’t and always always stay true to oneself.

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To find out more about Angela please visit her website: www.angelatopping.com.

If you’d like to purchase Letting Go please do stop by The Mother’s Milk Bookshop. Any purchase made pays for one entry to The Mother’s Milk Books Writing Prize. Angela, herself, is the sole adjudicator of the poetry categories.

If I could have just one room…

I was recently tagged by the talented and lovely Georgie St Clair over at Visual Toast with the question “If you could have just one room what would be in it?”. This was the prompt put forth by Jocelyn from The Reading Residence and it somehow made its roundabout way to me.

It’s an interesting question and one that’s been on my mind a lot recently.

Since starting up Mother’s Milk Books our house has been overwhelmed by boxes of books, cards and prints, as well as boxes of packaging. I kind of like the ‘literary/bohemian cluttered look’ (that’s me putting a spin on untidiness) but since I’ve begun to dabble in a little art (again, inspired by all the wonderful mama artists that I’ve met through editing Musings on Mothering) I’ve realized how wonderful it would be to have an extra room – and one all to myself – for my own creative pursuits.

I’ve seen lots of images of beautiful rooms with gorgeous colour schemes and stylish items within – there were some stunning ones over at Gina’s blog Cold Tea and Smelly Nappies. I don’t think I could do justice to those pictures so when I thought about the complete basics, I decided that all I really want is this:

A White Room (and yes, straight lines at the same angle seem to be a skill I have yet to master!)

I would simply appreciate a clean, white space with plenty of wall space to hang my daughter’s art, my son’s art, my husband’s art, my own art, the art of those painters and artists that I admire. There would be mama art, breastfeeding art, landscapes, flowers, fantastical art, abstracts, all sorts. There would also be a table – any kind of table – and some shelves to store art materials so that I could do a little painting of my own. A kettle and a stash of snacks would come in useful too.

As to where it would be, well, who knows? Maybe way up high in the trees, invisible from the rest of the world so that I could get lost in painting…

A Hint Of Reality From Invisibility (c) 2012 Treehotel AB
(Yes, there is a mirror house in those trees!)

Thank you Georgie for thinking of me, and asking me the question. I put it forth to all of you: “If you could have just one room what would be in it?” and will tag these folk for whom I know an extra room for artistic craftiness would be much appreciated.

Pippa @StoryofMum   Website: Story of Mum

Agata Lawrynczyk from Agatas Art Corner

Amy Hood @amyhoodarts   Blog: Amy Hood Arts

Julia at Be Creative Daily

and Hatti @ParentTribe   Website: Parent Tribe